Press

The Importance of Being Earnest (2024) Credit: Jenn Udoni

"Jack Seijo is particularly excellent as Algernon, a role he was born to play. His posture, mannerisms and subtle vocal acrobatics do Oscar Wilde proud. Seijo casually spits out clever bon mots as effortlessly as he tosses back cocktails." - Chicago Theatre Review

The Malignant Ampersands (2022) Credit: Fade Out Media

"As the keeper of the pills, Gabe meets Barista Bobbie (cheerfully played by Jackie Seijo)..."
-Chicago Theatre Review
(The Malignant Ampersands)

Small World (2019) Credit: Evan Hanover

"Jackie Seijo is grounded and likeable as the rational, emotionally damaged Becca." - Splash Magazines

"Seijo's performance goes even further than the script to ensure we connect with the character in a new way." - Picture This Post

The Importance of Being Earnest (2024) Credit: Jenn Udoni

"Seijo and Muriel have great chemistry as roguish Algernon and flirtatious Cecily." - Chicago Tribune

Twelfth Night (2019) Credit: Tom McGrath, TCMcG Photography

"Jackie Seijo charms the room with [their] eloquent and feisty Viola. Earnest and brimming with conniving curiosity, Seijo breathes life into every scene with intent, whole-hearted engagement."
-Chicagoland Musical Theatre

"...Viola (brilliantly played by Jackie Seijo)..."
-Chicago Theatre and Arts

"...Seijo is excellent as Viola..."
-Third Coast Review

"Jackie Seijo breathes new life into this Viola giving her sharp-tongued passion that emblazons the heart. Seijo performs beautifully the wit and woe their character experiences."
-Chicago Stage Standard

Isaac's Eye (2022) Credit: Tom McGrath, TCMcG Photography

"The show’s energy is propelled by a bravura, often funny, turn by... Jackie Seijo in the dual role as the puckish and subversive narrator and a suitably dismayed plague sufferer..." - New City Stage

"Jackie Seijo in particular added gestures, pauses, and exaggerations that made us all smirk under our masks." - Chicago Theatre Reviews

"Brilliantly played by young Jackie Seijo, this storyteller doubles as a dying victim of the Great Plague of 1665-1666..." - Chicago Reader